A synchronized rhythm of from two to four separate rhythms, played on a percussion instrument, gangha, teddeng.
Nan tabob di iKiyāngan ya nalīgat hi adālon ti magalay atonda.
The synchronized rhythm of the people of Kiangan is difficult to learn because they do it quickly.
The first two rhythms are always played, a third is optional, and a fourth is optionally played with the third. They are: 1) Lead rhythm, tabob 1b. 2) First accompanying rhythm; it follows the lead rhythm and is played on a first accompanying gong, hebat 2a, or on one string of an accompanying stringed percussion instrument, hebat 1a. 3) Second accompanying rhythm; it follows the lead rhythm and is played on a second accompanying gong, wohhot 1, or on the second string of a stringed percussion instrument used to play the first accompanying rhythm. 4) Third accompanying rhythm; it follows the lead rhythm and is played on a third accompanying gong, atlun di hebat, or on a second accompanying stringed percussion instrument, hebat 1a. The synchronized rhythm is played with repetitive measures, each composed of eight beats and rests, as indicated in the table below.